Get Free Ebook Quebec 1759: The battle that won Canada (Campaign), by Stuart Reid

Get Free Ebook Quebec 1759: The battle that won Canada (Campaign), by Stuart Reid

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Quebec 1759: The battle that won Canada (Campaign), by Stuart Reid

Get Free Ebook Quebec 1759: The battle that won Canada (Campaign), by Stuart Reid

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From the Publisher

Highly visual guides to history's greatest conflicts, detailing the command strategies, tactics, and experiences of the opposing forces throughout each campaign, and concluding with a guide to the battlefields today.

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About the Author

Stuart Reid was born in Aberdeen in1954. His life long interest in military history has led to a longstanding involvement in historial re-enactment, which has broadened into work as a military advisor for film companies. Stuart has written numerous titles for the Osprey military list including a three volume set on King George's Army 1740-93 (Men-at-Arms 285, 289 and 292) and Warrior 19 and 20 on the British Redcoat 1740-93 and 1793-1815 respectively. His most recent title is Warrior 42: Redcoat Officer 1740-1815.

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Product details

Series: Campaign (Book 121)

Paperback: 96 pages

Publisher: Osprey Publishing; First Edition edition (April 20, 2003)

Language: English

ISBN-10: 1855326051

ISBN-13: 978-1855326057

Product Dimensions:

7.2 x 0.2 x 9.9 inches

Shipping Weight: 11.4 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#1,441,930 in Books (See Top 100 in Books)

"Quebec 1759" is an Osprey Campaign Series entry, and the second Osprey look at the key battle in North America of the Seven Year's War. The book follows the standard Osprey format in presenting a concise account of the campaign. It opens with an introduction and a comparison of the opposing commanders and their armies and plans. Succeeding chapters cover the British campaign against Quebec, leading up to the decisive battle on the Plains of Abraham in September 1759, and concluding with the relief of the British Army in spring 1760, themselves besieged in the captured fortress.The book offers a good selection of period illustrations, maps, diagrams and photographs, and the narrative is workmanlike. Author Stuart Reid spends perhaps too much time on his own opinions about the campaign, including British Commander General James Wolfe's disputes with his own subordinates. In the process, Reid essentially accuses Wolfe of psychosomatic illnesses. A more common explanation is that Wolfe suffered from, among other things, kidney stones, an exquisitely painful and debilitating ailment that can be brought on by extended stress. Worth a look as an introduction to the topic.

While I was reading the book, I was suprised at how little the French side was covered. It was as though the French didn`t even fight, and just let the British bow them over. I felt that a bit more balanced coverage of the campaign would have been better. Having only the colors of the French metropolitian regiments shown as a representation of the French forces was too little. Of all of the Osprey books that I have bought, this one is probobly the one that I am most disappointed in. It was a fair account of the British side, but even that, I found it annoying that the depection of a member of the 13th Regt as a stand in for other regiments in the campaign was a bit off. There are plenty of North American British reenactors of regiments in that campaign which could have been used. I`m currently a Masters student and if I had submitted something like this for a paper, I would probobly fail.

Very useful book describing the battles for Quebec. This is an Army centric overview but I wish there had been more information about the specific roles that the Royal Navy played. This could be described as one of the first joint operations in the last four hundred years.I have visited Quebec City and not much remains of the original site.

Recently I had read "War That Made America - A Short History of the French and Indian War" by Fred Anderson. I was particularly taken with chapter 21 - "The Plains of Abraham". A pivotal battle, two seasoned commanders, events hinge on apparent chance and then both leaders are killed in battle - an amazing story told extremely well. I made a mental note to check Osprey Publications to determine if they have a title related to this battle.My search was fruitful and I purchased "Quebec 1759 The Battle That Won Canada" by Stuart Reid. Utilizing extensive illustrations the author introduces us to the principal French and British officers; provides detailed descriptions of the various forces and their uniforms and equipment. The focus in this book is the military events, who were the belligerents, what equipment they use, where they camped, how many soldiers each army fielded, how many cannons they employed...you get the idea. This is not a geo-political analysis describing why the British traveled to Quebec in 1759 and fought the French. That very interesting story is told in "War That Made America - A Short History of the French and Indian War" mentioned above.Readers new to Osprey titles should be aware all books from this published are similar in size to a National Geographic magazine with a thicker paper cover. The page count of this title was 98 and contained many period artwork and drawing reproductions, several full color painting created especially for this title and 3 double pages maps showing troop placements and battle progress.

While credible in basics, this work does little to fully explore the battle. It is sadly deficient in enumerating the activities and names of French regulars and militia. It does bless the reader with photographs of the fix-bayonet sequence of period British regulars (whatever that has to do with anything).Not equal with other Osprey volumes (René Chartrand's Monongahela for example).

This book is a much better review of the Quebec 1759 campaign. It gives a balanced account covering both sides in detail. Be it a history student, wargamer or military modeller, it gives the information that you would need.

Osprey's Order of Battle series offers considerably more detail than its standard Campaign series format. In Quebec 1759, René Chartrand provides his usual high quality level of historical research, as well as unique insights into this famous campaign that determined the fate of New France. The volume begins with eight pages that provide the strategic background to the campaign and outline the opposing French and British plans. However, the heart of the volume consists of 49 pages spent detailing all the various French and British units that participated in the campaign. Each line infantry battalion receives one full page of coverage, listing its strength, organization and recent history. Minor units, such as the French colonial cavalry, various militias, Royal Marines, artillery and engineers also receive similar coverage. For anyone interested in the Quebec campaign, the order of battle information provided herein will be indispensable. There is also considerable information on the unit commanders interwoven throughout this section. The campaign itself is covered in the final 30 pages and Chartrand's summary is flawless. Many minor logistical and administrative issues are addressed, in addition to the tactical maneuvering. Chartrand's account of the final climactic Battle on the Plains of Abraham is the best that I have ever read concerning that action. A large foldout map of the battlefield is also provided. This is a superb piece of military historical research.

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Quebec 1759: The battle that won Canada (Campaign), by Stuart Reid PDF

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Ebook Jane Eyre The Graphic Novel: Original Text (Classical Comics)

Ebook Jane Eyre The Graphic Novel: Original Text (Classical Comics)

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Jane Eyre The Graphic Novel: Original Text (Classical Comics)

Ebook Jane Eyre The Graphic Novel: Original Text (Classical Comics)

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About the Author

Charlotte Brontë was born on April 21, 1816 in Yorkshire, in the north of England, UK. She was one of six children. She survived all her siblings but died three weeks before her thirty-ninth birthday.John M. Burns is a veteran UK comic book artist, whose work is much revered in the industry.

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Product details

Age Range: 9 and up

Grade Level: 3 and up

Series: Classical Comics

Library Binding: 144 pages

Publisher: Classical Comics (March 14, 2017)

Language: English

ISBN-10: 1907127410

ISBN-13: 978-1907127410

Product Dimensions:

6.7 x 0.5 x 9.8 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

5,755 customer reviews

Amazon Best Sellers Rank:

#2,037,170 in Books (See Top 100 in Books)

There is something about this book that draws you in even though most of the characters are self-centered and malicious and you tend not to like them. The current of love, lust, and possession runs throughout the story which is told to the new renter of "The Grange" by the housekeeper of Wuthering Heights. As she sits and knits she spins the tale of the tempestuous love story of Cathy and Heathcliff, slowly but surely you are pulled in to all the machinations that the Lintons and Earnshaws and the orphan Heathcliff engage in across the cold, damp, windswept moors of the Yorkshire estate. Your mind becomes filled with Heathcliff, always Heathcliff, watching planning and deeply in love with Cathy. The story follows their lives through two generations.As a reader, I have to wonder what state of mind Emily Bronte was in when she wrote the turbulent tale. Published in 1847 the story was considered lurid and shocking, but a masterpiece. It is Bronte's only novel and is as relevant today as it was back then. Emily Bronte had been ill for some time and died in December of 1848.

A timeless classic. I read this book a long time ago and decided to read it again. Enjoyed it even more as a more mature women. :-) It's a sad story that makes you feel sorry for many of the characters but it's a good escape back to a time and place so different from where we are now.

I enjoyed the book. I was surprised how our modern-day language has, apparently, been dumbed down over the years. I'm college-educated, but found many words she used to be ones I had never heard. That said, I still enjoyed the book. I probably should have read it years ago in some English class, but it was never required. I took my time with no looming deadlines and enjoyed it.

There are two reviews here, since this special version of the book has two things going on. When I was a kid I had some weird built-in prejudice against anything labeled "classic". Unknowingly I read "Tom Sawyer" and "Huckleberry Finn" and even Shakespeare's "Julius Caesar," but I thought I had "discovered" them--had anyone told me they were classics, I wouldn't have read them. Stupid, but true. When I was in my thirties I read "A Tale of Two Cities" and re-thought my whole position on the classics--maybe there was a reason they were called that. So I read a lot of them, but I never read "Jane Eyre." I saw about four different movie versions of it, though, and figured I knew the story well enough. But when Writer's Digest announced this version, I saw a chance to correct an omission AND get some good writing advice. KM Weiland's book on structure, after all, is a masterpiece. Hence, this double-edged review.1. Jane Eyre. The movie versions I've seen were, surprisingly, fairly true to the book (not often the case, as anyone who reads a book and then watches its movie knows). Shy governess, obnoxious-but-philosophical middle aged guy. Crazy wife in the attic. Missionaries. They hit all the high points. But Bronte's prose is well-done, and her characters are far more complex than the movies. She has a great way of building suspense, too. Even though I knew what was going to happen, I wanted to see it happen, so I kept reading. And I was satisfied when I closed the book: a good story, well-told.2. The notes. Weiland's notes are, at the risk of sounding sycophantic, brilliant. Remember, these notes are about the writing of the book, not about the historicity or any of the other kinds of analysis you'd usually see in annotations. (My annotated "Sense and Sensibility" practically explains each curtsy as well as why dances lasted half an hour.) There's plenty of analysis, but it's all about how Bronte tells the story. For readers of Weiland's "Structuring Your Novel," it's like a Part II, showing the First Plot Point, (p118), Midpoint (p216), Third Plot Point (p325), Resolution and Epilogue. There are even pages at the back with questions (and lines for answering them or writing other notes) about structure. But wait, there's more! There are notes on perspective, voice, POV, conflict and tension, obstacles, character development, transitions, and way more than that. (I'm laundry listing here--but trust me, the notes could practically be their own book.)I'm a writer myself, though you won't see my name in Amazon in that capacity--I ghost write. Under my own name, I'm also a freelance editor (developmental, substantive, and copy--you name it, I do it) and have been one for years. But I still read books on writing all the time. Some I love, some I tolerate, and a few I've ridiculed (after jumping up and down on their tattered remains). But this book is its own category, or perhaps it defies category. It's a writing master class, analyzing a masterpiece of English literature to make its key points. If I were a writing teacher, this would be required reading for my classroom.One thing alone keeps the book from getting the fifth star, and it's a mechanical thing, nothing against Bronte or Weiland. They did their jobs well! But the typeface for the story is a serif font, and it's ten points at most, maybe eight. I needed to buy a +2 set of "cheaters" to read the story alone--and the notes are worse. They're a pale blue sans serif (the contrasting serif/sans serif fonts are good; the size is not and the pale color is not) that was hard to read even with the +2 cheaters. The notes are in the outer margins and take up about a third (one column) of each page. I wish they'd gone for broke and instead of giving us a six-by-nine (I'm eyeballing it, so the measurements are probably not exact), gone up a couple of sizes, just for the sake of those of us who are over 40. Then maybe they could've made the print a decent size.

Read the description. This is an 8.5 × 11 monstrosity that is masquerading as a "paperback". Ridiculous. I mean, sure, shame on me for not reading a description, but when most people say paperback, they don't mean a students textbook. Sheesh.

This old classic is a classic for a reason. IF I read it in high school I don't remember it. So I enjoyed a delightful read over several days, savouring the descriptions, enjoying the character development as well as the plot. At first I thought it was a children's book, but after reading it, I think the children of today would have a hard time understanding many of the beautiful uses of the English language that Charlotte Bronte perfected.

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Get Free Ebook Laminated Cape Town Map by Borch (English Edition)

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Laminated Cape Town Map by Borch (English Edition)

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About the Author

Borch uses a patented lamination process to cross the folds of the map, making it easier to read and even easier to refold. The tough but non-toxic lamination material degrades to oxygen and water in a landfill environment. Before then, the map is practically indestructible in your backpack or suit coat pocket, and can even be written on temporarily with dry-erase markers.

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Product details

Map: 2 pages

Publisher: Borch; 5 edition (March 1, 2018)

Language: English, Spanish, French, Italian, German

ISBN-10: 3866093802

ISBN-13: 978-3866093805

Product Dimensions:

4.4 x 0.3 x 9.6 inches

Shipping Weight: 0.3 ounces (View shipping rates and policies)

Average Customer Review:

Be the first to review this item

Amazon Best Sellers Rank:

#604,474 in Books (See Top 100 in Books)

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